Top 12 Best Audio Interfaces Under 200 in 2023

Best Audio Interfaces Under 200

You should probably understand what an audio interface is if you want to know how to record anything that has sound. An audio interface is a piece of hardware for computers that allows audio signals to be entered into and output from a host computer or recording device.

Audio interfaces and computer sound cards are similar, but an audio interface is primarily designed to enable low-latency analog-to-digital and digital format conversion for professional audio applications, whilst a sound card is tailored for audio playback. Audio interfaces are expensive and some are budget-friendly also, you can also get the best audio interfaces for under 200. Yes, under 200!

Spend Less Get More

We mostly spend less money on speakers, microphones, or other accessories whereas, on the other hand, we purchase the audio interface at more prices and which are not worth as well.

Here is a list of the best audio interface under 200, these can help you to save money and time. All of these products are well-reviewed and have good ratings as well. To achieve better recording results, you must choose an audio interface that produces precise and clear recordings at the price of under 200.

Top 12 Best Audio Interfaces Under 200 At a Glance

1. MOTU M2 – Best Audio Interface with DAC Technology
2. Audient iD4 MKII – Best Audio Interface for Recording
3. Steinberg UR22C – Best Industry Leading Converter
4. Focusrite Scarlett 2i2 3rd Gen – Best Audio Interface for Streaming and Podcasting
5. iRig Pro I/O – Best Audio Interface for Recording and Guitar
6. M-Audio AIR – Best Audio Interface for Studio Quality Sound
7. Behringer U-Phoria UMC404HD – Top Audio Interface with Phantom Power.
8. Tascam US-2x2HR – Best Audio Interface for High-Resolution Sound.
9. Mackie Audio Interface – Best Powered Audio Interface for recording
10. Audient EVO 4 – Best USB Audio Interface
11. Focusrite Scarlett Solo 3rd Gen – Best Audio Interface for High-Quality Sound.
12. PreSonus AudioBox – Best Audio Interface for DAW Recording Software

MOTU M2–Best Audio Interface with DAC Technology

CHANNELS OF I/O ANALOG: 2 Inputs / 2 Outputs, MAXIMUM SAMPLING RATE: 192 kHz / 24-Bit, NUMBER OF MICROPHONE PREAMPS: 2 Preamps, GAIN/TRIM RANGE MIC INPUTS: 0 dB to +60 dB, LINE/HI-Z INPUTS:, 0 dB to +57 dB, PHANTOM POWER: 48 V, FREQUENCY RESPONSE MIC INPUTS: 20 Hz to 20 kHz +0/-0.1 dB, LINE, HI-Z INPUTS: 20 Hz to 20 kHz ±0.15 dB, LINE OUTPUTS: 20 Hz to 20 kHz +0/-0.1 dB, MAXIMUM INPUT LEVEL MIC INPUTS: +10 dBu (Min Gain) LINE/HI-Z INPUTS: +16 dBu (Min Gain), DIMENSIONS: 7.5 x 4.25 x 1.75″ / 19.1 x 10.79 x 4.45 cm (Chassis Only), WEIGHT: 1.4 lb. / 0.6 kg

In terms of recording quality, the Motu M2 provides one of the top performances. The device handles latency exceptionally well and has a decent DAC. The device is said to have a 120 dB dynamic range and an audio resolution of up to 192 kHz. Amazingly, given the cost, the converter technology is the same as that found in Motu’s higher-end interfaces. These are the best audio interface with DAC technology.

Construction

Motu can take a little bit of punishment. It is covered in tough metal and appears to be rather heavy. The displays on the front panel are by far the greatest we’ve seen on an entry-level interface, and the layout is rather appealing as well.

High-Quality Preamps

High-quality preamps with minimal to no noise are used. Additionally, they feature a gain range of 60 dB, which is far higher than the norm for products in this price category. Your best option is to conduct some study and spend money on a high-quality external preamp if you want a better performance.

Excellent Recording Quality

The Motu M2 provides one of the greatest recording quality performances at this pricing point. The device handles latency exceptionally well and has a decent DAC. The device is said to have a 120 dB dynamic range and an audio resolution of up to 192 kHz. Amazingly, given the cost, the converter technology is the same as that found in Motu’s higher-end interfaces.

This is a great decent audio interface with strong volume gain and a clean, detailed sound. It is plug-and-play, and my studio DAW immediately recognized it.

Pros

• Great Preamps
• Excellent DAC
• Phantom power is great

Cons

• No added Accessories.

Our Verdict for MOTU M2
MOTU M2 is the best audio interface with DAC technology. If you want the audio interface which offers high-quality recordings with the quality of excellent preamps and excellent DAC.

Audient iD4 MKII–Best Audio Interface for Recording

RANGE: 40dB, LINEUP: 12dBu = 0dBFS, FREQUENCY RESPONSE – MIN GAIN: ±0.5dB 10Hz to 20kHz, Microphone preamplifier, GAIN RANGE: 58dB, LINEUP: 12dBu = 0dBFS, MIC MAX INPUT LEVEL: 12dBu, MAX INPUT LEVEL:   21dBu, INPUT IMPEDANCE (Mic): 2.8k, INPUT IMPEDANCE (Line): >8k, DYNAMIC RANGE: 125.5dB A-Weighted, CROSSTALK: >120dB

The Audient iD4 MKII interface is for anyone searching for exceptional preamps. With only one combination input and one TRS-in, it is rather restrictive. The device, however, is more than adequate for any aspiring engineer in terms of recording quality. This is the best audio interface for recording.

Product Diagraming

The inputs and outputs are exactly the same as they were in the original design. You’ll find your XLR/TRS combination input and two balanced TRS outputs on the back panel. Right next to the combo input on the rear is a 48 V phantom power switch, and to the left of the outputs is a USB-C connector.

Two independent headphone jacks are located to the right of the TRS instrument-level input on the front panel of the iD4 Mk2 audio interface (front panel)

The top panel houses the master volume control, direct monitoring mix knob, and gain controls for both inputs. LED lights are located above.

Preamps

The iD4’s preamps are an improvement over the ones in the first model. The device has a gain range of 58 dB on the microphone input and a dynamic range of 120 dB. (Although slightly less on the instrument-in). They are noise-free, clear, and neutral.

Best Software Package

You may get the ARC software package for free after purchasing the iD4. This package offers three introductory courses from Produce Like a Pro along with access to Steinberg’s Cubase/Cubasis LE3 DAW, Two Notes Wall of Sound cab simulation, a plethora of virtual instruments from G-force and Waldorf, and more.

A weekly, one-hour pre-recorded chat program I host, record, and edit has had more than 520 episodes to date. I started using my own home studio with phone and internet interviews two years ago. I chose to replace my USB microphone with one of my higher-grade “ENG” dynamic microphones, and this interface is far nicer than those made of cheap plastic.

I can use phantom power with it if necessary, and the sound quality is excellent. Immediately plugged it into my Windows 11 laptop, and Adobe Audition works well with the downloaded software. I’m glad I finally caved and bought it.

Pros

• Budget Friendly
• The dynamic range is good.
• Preamps are amazing

Cons

• The software is not up to date.

Our Verdict for Audient iD4 MKII
Audient iD4 MKII is the best audio interface for recording. If you have an audio interface at a good price and have the capability to do the best recordings, you can get these without any doubts.

Steinberg UR22C–Best Industry Leading Converter

AD/DA: 32 bit, MAXIMUM SAMPLE RATE: 192 kHz, DYNAMIC: 102 [dB] ONBOARD DSP: SSP 3, WEIGHT: 1000 G, WIDTH: 159 MM, HEIGHT: 47 mm, DEPTH: 159 mm, PORT: USB Type-C, USB 3.0, USB 2.0, RAM MINIMUM: 4 GB, HARD DISK FREE SPACE: 1200 MB

Steinberg has always been a leader in developing cutting-edge music tools and technologies. It takes advantage of a lightning-fast USB 3 and top-notch 32-bit/192 kHz recording. The Steinberg UR22C is the most portable audio interface on the market today. Both makers of laptops and iOS are targeted users. It comes with built-in DSP effects and a durable metal case.

Small Size Like a Book

The UR22C is about two inches tall and six inches broad. It occupies less space on your desk than the majority of large-size books. Additionally, the gadget incorporates soft-turning, small-sized rotary knobs for inputs one and two.

Controls

The UR22C’s robust controls and inputs, which include two combos XLR/TRS (line/mic/DI) ports and one headphone jack organized with clear markings and LEDs, are one of its standout features. Additionally, Channel One and Two’s inputs support DI connections, which are chosen via a Lo-Z/Hi-Z switch.

Given the external cover’s metallic appearance, the knobs’ soft plastic construction stands in stark contrast to the design’s overall aesthetic. The TRS Main Outputs on the back panel include a single large output knob to adjust the monitor level. There is a Power Selector Source as well.

Minimal Price

The UR22C’s UI is pretty good. This offers the ideal user interface for a beginning at a reasonable cost of no more than $200 since it is very simple and straightforward. Even at this price, the construction is excellent, and if it were to fall, the apparatus would not seem flimsy or sensitive.

I purchased this device after struggling with my Lynx AES16e and Windows 10 and never being able to get rid of pops and clicks. The program took only five minutes to install and another five minutes to download, and it operated without any noise, pops, clicks, or other annoyances.

Pros

• Building Quality is epic
• DSP effects are the best
• Delivers the best sound quality
• Software Bundle is fantastic

Cons

• When you are using iOS, you need another source.

Our Verdict for Steinberg UR22C
The UR22C interface from Steinberg retains the high level of quality we’ve come to expect from the brand’s UR interfaces: clear, crisp recordings, a tough enclosure, and all at a very reasonable price. The “C” upgrade improves connection and data rates, and the zero-latency DSP effects are a huge plus for input recording. You can get the best industry-leading converter without any doubts.

Focusrite Scarlett 2i2 3rd Gen–Best Audio Interface for Streaming and Podcasting

MICROPHONE INPUTS:
FREQUENCY RESPONSE: 20Hz – 20kHz ± 0.1dB, DYNAMIC RANGE: 111dB (A-weighted), THD+N: <0.0012%, NOISE EIN: 128dBu (A-weighted), MAXIMUM INPUT LEVEL: 9dBu (at minimum gain), GAIN RANGE: 56Db, IMPEDANCE: 3kΩ, LINE INPUTS: FREQUENCY RESPONSE: 20Hz – 20kHz ± 0.1dB, DYNAMIC RANGE: 110.5DB (A-WEIGHTED), THD+N: <0.002%, MAXIMUM INPUT LEVEL: 22dBu (at minimum gain), GAIN RANGE: 56dB, IMPEDANCE: 60KΩ

INSTRUMENT INPUTS:
FREQUENCY RESPONSE: 20Hz – 20kHz ± 0.1dB, DYNAMIC RANGE: 110dB (A-weighted), THD+N: <0.03%, MAXIMUM INPUT LEVEL: 12.5dBu (at minimum gain), GAIN RANGE: 56dB, IMPEDANCE: 1.5MΩ,

LINE/MONITOR OUTPUTS:
DYNAMIC RANGE (LINE OUTPUTS): 108dB, THD+N: <0.002%, MAXIMUM OUTPUT LEVEL (0 DBFS): 15.5dBu, IMPEDANCE: 430Ω, HEADPHONE OUTPUTS: DYNAMIC RANGE: 104dB (A-weighted), THD+N: <0.002%, MAXIMUM OUTPUT LEVEL: 7dBu, IMPEDANCE: <1Ω

An audio interface with numerous inputs is the obvious next step if you want something more powerful than a USB mic to record music or make a podcast. Simple recording equipment, the Focusrite Scarlett 2i2 (3rd Gen), connects to your computer by USB-C and offers stereo quarter-inch inputs that also function as XLR inputs for microphones. Focusrite Scarlett 2i2 3rd Gen is the Best Audio Interface for streaming and podcasting.

Easy Software Setup

The iPad Pro and PCs running at least Windows 7 or macOS 10.11 are both compatible with the Scarlett 2i2. The bundle comes with several helpful add-ons, such as a collection of Focusrite plug-ins and a few lightweight recording software versions.

Basic Controls

A 2-in/2-out interface with a maximum sampling rate of 192 kHz and 24-bit depth is called the Scarlett 2i2.

The device has two XLR/TRS combination inputs and a 1/4′′ headphone port on the front panel. There is a line switch, an Air mode, and 48 V phantom power available on each input. The master volume control, a direct monitoring switch, and monitoring control for the headphones are all located to the right of the inputs. The TRS outputs and USB-C connector are the only components located on the rear panel, which is a no-frills approach.

Best Acoustic Quality

The recording is of high quality. There isn’t much left to be desired, especially given that the unit’s maximum sampling rate is 192kHz, which is considerably outside the range of human hearing.

Its DAC and ADC both provide excellent results with no obvious flaws. Maybe there would be something more intriguing to say if the unit was worse.

A significant improvement to the product range is the 2i2 3rd Gen. This brand is able to maintain its leadership in audio interfaces thanks to Generation III. I was in a bind and needed to record and make something within 48 hours after selling my prior interface. I happened to have a 2i2 3rd Gen, and it was ideal.

Pros

• Good Recordings for XLR Mics and Quarter Inch Inputs
• Easy to Use and Operate

Cons

• The body is so lightweight that it can fall because of the weight of the cables.

Our Verdict for Focusrite Scarlett 2i2
A straightforward stereo input device that works well for recording and mixing podcasts and music is the Focusrite Scarlett 2i2. If you want the best audio interface for streaming and podcasting you can get this.

iRig Pro I/O–Best Audio Interface for Recording and Guitar

MICROPHONE INPUT:
MICROPHONE INPUT: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground, MICROPHONE INPUT LEVEL: from 6 map to 1.4 Vpp, MICROPHONE INPUT IMPEDANCE: 3.2 k Ohms, GAIN RANGE: 40 dB, PHANTOM POWER: +48V ± 4V, FREQUENCY RESPONSE: 20 Hz – 20 kHz +/-1.5dB, INPUT NOISE: -103 dB(A), -97 dB RMS

INSTRUMENT INPUT:
INSTRUMENT INPUT: unbalanced, Hi-Z, TS 1/4″ Jack, Tip: signal / Shield: ground, INSTRUMENT INPUT LEVEL: from 30 mVpp to 6.9 Vpp, INSTRUMENT INPUT IMPEDANCE: 1 MOhms, GAIN RANGE: 27 dB, FREQUENCY RESPONSE: 20 Hz – 20 kHz +/-1.5dB, INPUT NOISE: -103 dB(A), -97 dB RMS

STEREO HEADPHONE OUTPUT:
CONNECTOR: 1/8″ TRS Jack. Tip: right / Ring: left / Shield: ground, Headphone Level Control numbered thumbwheel, Headphone Level Power 100mW into 50 Ohms,

STEREO HEADPHONE OUTPUT:
CONNECTOR: 1/8″ TRS Jack. Tip: right / Ring: left / Shield: ground, Headphone Level Power 100mW into 50 Ohms

MIDI INPUT/OUTPUT:
CONNECTOR: 2×2.5mm TS Jack, OTHER INPUT/OUTPUT DC BARREL: 1x DC barrel. For power and device charging, DEVICE CONNECTOR: mini-DIN

COMMON:
CONVERSION: 24-bit A/D, 24-bit D/A, SAMPLING RATE: 44.1 kHz, 48 kHz, 88.2 kHz, and 96 kHz

iRig Pro I/O is the best audio interface for recording and guitar. It is a 2-channel mobile recording source that can record through the source guitar and the microphones. From field recording to podcasting, from streaming to capturing a live band, it is made to meet all kinds of recording and mixing needs. It achieves this by providing many power options and including more ports than you might anticipate on such a little device. From field recording to podcasting, from streaming to capturing a live band, it is made to meet all kinds of recording and mixing needs. It achieves this by providing many power options and including more ports than you might anticipate on such a little device.

The Look and Feel

iRig Pro I/O is a very lightweight and small product with four batteries. Additionally, it can be powered by a USB-A, USB-C, or Lightning device using the Host port, a micro-USB cable, or an extra mains adaptor (not included in the regular package). Each of them comes with cables, and if you use the main power to power the interface, it will pass through and charge your tablet or smartphone at the same time. It is compatible with Android devices that are Mi-Fi approved for iPhone and iPad, Mac, and Windows (you must download an ASIO driver for Windows). IK deserves credit for being one of the few professional audio developers to offer dependable assistance to Android customers. It also comes with a clip-on adaptor for screw thread attachment to a boom or DSLR.

Vocal Recording

It’s one of the cheapest and most versatile ways to connect a high-quality condenser mic to a variety of mobile and desktop devices, and vocal recording is shockingly decent — certainly good enough for podcasts and on par with more expensive interfaces. It can offer the weight and range it should with minimum noise, which becomes more noticeable at higher input levels, and instrument recordings sound just as nice.

Performance of iRing

In our tests, the Quattro produced crisp and clear recordings when coupled with both an iPad and a desktop computer. It can function at up to 24-bit, 96kHz sample rates. Logic on a Mac for recording and Cubasis on an iPad Pro for multitracking

For use with my iPhone 6+, I also purchased an NGT2 and a boom pole. What a transformation. Because it provides a port for checking the actual sound levels, it is particularly useful. I had my doubts that the front-facing led light would be sufficient to see them peaking, but it definitely does.

Pros

• These are very portable and lightweight.
• These have a rugged design.
• Great quality preamps are used
• Up-to-date software.

Cons

• The power Supply is not permanent

Our Verdict for iRig Pro Duo I/O
The IK Multimedia iRig Pro Duo I/O is the best audio interface for recording and guitar and has the specs to produce excellent recording quality no matter where you are, even matching certain studio-only devices that cost far more. Consequently, a fantastic mobile solution with far broader and higher-caliber goals.

M-Audio AIR–Best Audio Interface for Studio Quality Sound

MIC INPUT 1 (BALANCED XLR):
FREQUENCY RESPONSE: 20 Hz – 20 kHz (+0.1 dB), DYNAMIC RANGE: 104 dB (A-weighted), SIGNAL-TO-NOISE RATIO: 104 dB (+1.0 dBu, A-weighted), THD+N: 0.003%, PREAMP EIN: -128 dBu (max gain, 150 Ω source, A-weighted), MAX INPUT LEVEL: +1.5 dBu, GAIN RANGE: 55 dB,

LINE INPUT 1 (BALANCED 1/4″ [6.35 MM] TRS):
FREQUENCY RESPONSE: 20 Hz – 20 kHz (+0.05 dB), SIGNAL-TO-NOISE RATIO: 101 dB (1 kHz, +4 dBu, A-weighted), THD+N: 0.003%, MAX INPUT LEVEL: 16 dBu, GAIN RANGE: 55 dB,

INST INPUT 2 (UNBALANCED 1/4″ [6.35 MM] TS):
FREQUENCY RESPONSE: 20 Hz – 20 kHz (+0.05 dB), DYNAMIC RANGE: 100 dB (A-weighted), SIGNAL-TO-NOISE RATIO: 102 dB (+ 4 dBu, A-weighted), THD+N: 0.004%, MAX INPUT LEVEL: 6 dBu, INPUT IMPEDANCE: 1 MΩ, GAIN RANGE: 24 dB,

MAIN OUTPUTS, L AND R (BALANCED, DIFFERENTIAL 1/4″ [6.35 MM] TRS):
FREQUENCY RESPONSE: 20 Hz – 20 kHz (+0.06 dB), DYNAMIC RANGE / SIGNAL-TO-NOISE RATIO: 102 dB (A-weighted), THD+N: 0.005%, MAX OUTPUT LEVEL: +7 dBu (1 kHz, -1 dBFS), THD+N: 0.005%, OUTPUT IMPEDANCE: 10 Ω,

GENERAL:
POWER: USB-bus-powered, DIMENSIONS (WIDTH X DEPTH X HEIGHT): 8.0” x 6.0” x 2.76” (20.42 cm x 15.24 cm x 7.0 cm), WEIGHT: 2.0 lbs

The Air 192 is the best audio interface for studio-quality sound. These are the interface with the best and most solid preamps from all time. It has good recording features and the total product is also very satisfying.

Structure and Controls

A direct instrument input, a 48 V phantom power switch, and a quarter-inch headphone jack are all located on the front panel.

One TRS/XLR input, two balanced TRS outputs, and a USB-C port are all located on the rear panel. It’s not too difficult to traverse the top panel. Gain settings for the combo and instrument inputs are located on the left.

To aid with gain staging, each channel has its own LED step display. However, they aren’t particularly accurate, so you’ll probably end up using the meters in your DAW instead.

The panel’s center is occupied by a sizable master control knob, and to its right are dials for direct monitoring and headphone volume adjustment.

Recording Quality

With a 24-bit depth and 192 kHz sample rate, the M-Audio AIR 192|4 works remarkably well. The reported frequency response is fairly flat and ranges from 10 Hz to 20 kHz.

Updated Software

A small but respectable software package is included with the AIR 192|4 and gives you access to Ableton Live Lite and 20 effect plug-ins.

After trying two others, I bought this. The unit is attractive in design and study, and the USB-c connection eliminated any lag. The size and movement of the knobs are ideal. The PreSonus did have a fuller sound, but I returned it since it caused me so many hassles due to latency and communication issues with LogicProX. The M-Audio is a fantastic device and a wonderful deal for the money.

Pros

• Good Building Quality
• Software is updated
• The preamps were solid.  

Cons

• The line level is not up to the mark of instrument inputs.

Our Verdict for M-Audio AIR
M-Audio AIR has the best audio interface for studio-quality sound. These have the best building quality and the software is up to date. You can get these to get the best sound outputs. The installation is also easy and it can be used easily as well.

Behringer U-Phoria UMC404HD–Top Audio Interface with Phantom Power

COMPUTER CONNECTIVITY: USB 2.0, FORM FACTOR: Desktop, SIMULTANEOUS I/O: 4 x 4, NUMBER OF PREAMPS: 4, PHANTOM POWER: Yes, A/D RESOLUTION: 24-bit/192kHz, ANALOG INPUTS: 4 x XLR/TRS Combo, 4 x 1/4″ (Inserts), ANALOG OUTPUTS: 6 x 1/4″, 2 x XLR, 2 x Stereo, 1 x 1/4″ (Headphones), MIDI I/O: In/Out

The amazing U-PHORIA UMC404HD fills the gap between your admirers and your creativity. With all the connectivity needed for your microphones, guitars, keyboards, and even MIDI instruments, this lightning-quick USB 2.0 studio in a box will have you recording your next masterpiece in minutes. It is the top audio interface with phantom power.

Studio Quality

Plug microphones, instruments, or line-level sources into the UMC404HD’s 4 combinations XLR/TRS inputs when it’s time to make recorded history on your Mac or Windows computer for the utmost in-studio flexibility! To include the advantages of control surfaces into your studio workflow, connect and interact with MIDI devices.

Great Resolution

The UMC404HD recognizes how seriously you take your songs by offering up to 192 kHz resolution for even the most demanding music and movie post-production applications. For consistently professional results, work with your preferred recording software with assurance and accuracy.

Construction of UMC

It is made of metal, which gives it a tough exterior and impact resistance. We find this to be intriguing because Behringer effect pedals are frequently composed of plastic. Despite being tough, they are still plastic.

Plastic is used to make pedals that are intended for transportation. However, this audio interface is built of harder metal and is more likely to be static in a home studio. Nevertheless, no one will object because the casing is made of metal. German engineers and designers created it.

I am a collector of quadraphonic tapes, which are reel-to-reel recordings from the 1970s that include four distinct tracks and are played back through a four-channel sound system. I’m using the UMC404HD to make digital copies of the tapes, which I can play back on the device with my quad-speaker system in full 4-track splendor.

The outcomes are incredible! The recordings are of exceptional quality. I am now detecting subtleties I had never heard previously after applying noise reduction to remove the tape hiss.

Pros

• The build quality is great.
• Many sources to be connected.
• The overall product is solid.
• The preamps are excellent and solid.

Cons

• There is a little hiss sometimes.

Our Verdict for Behringer U-Phoria UMC404HD
Behringer U-Phoria UMC404HD is a top audio interface with phantom power. There is no doubt in buying a product that has the best preamps and has so many sources to connect.

Tascam US-2x2HR–Best Audio Interface for High-Resolution Sound.

SAMPLING FREQUENCY: 44.1k/48k/88.2k/96k/176.4k/192k Hz, QUANTIZATION BIT RATE: 24bit, ANALOG AUDIO INPUTS: MIC IN IN 1 / IN 2, CONNECTOR: XLR-3-31(1: GND, 2: HOT, 3: COLD), BALANCED, INPUT IMPEDANCE: 2.2k ohms,

MAXIMUM INPUT LEVEL:
(GAIN: MIN): +9dBu (2.183Vrms), GAIN:        56dB, INST IN: IN 1 / IN 2, CONNECTOR: 6.3mm (1/4”) TS-jack (T: HOT, S: GND), UNBALANCED, INPUT IMPEDANCE: 1M ohms or more,

MAXIMUM INPUT LEVEL:
(GAIN: MIN): +10dBV(3.162Vrms), GAIN        56dB, LINE IN: IN 1 / IN 2, CONNECTOR: 6.3mm (1/4”) TRS-jack (T：HOT, R：COLD, S：GND), BALANCED, INPUT IMPEDANCE: 10k ohms,

ANALOG AUDIO OUTPUTS:
LINE OUT: 1-2, CONNECTOR: 6.3mm (1/4”) TRS-jack (T：HOT, R：COLD, S：GND), BALANCED, OUTPUT IMPEDANCE    : 210 ohms, NOMINAL OUTPUT LEVEL: +4dBu (1.228Vrms), MAXIMUM OUTPUT LEVEL: +20dBu (7.746Vrms), CONNECTOR: 6.3mm (1/4″) stereo phone jack

MAXIMUM OUTPUT LEVEL: 18mW+18mW or more, (THD+N 0.1% or less, 32ohms loaded), OUTPUT IMPEDANCE: 66ohms, WORKING IMPEDANCE: 16ohms to 250ohms, FORMAT: Standard MIDI format

USB:
CONNECTOR: USB Type-C, FORMAT: USB2.0 HIGH SPEED (480Mbps)

POWER:
POWER CONSUMPTION: 1.75W, DIMENSIONS: 186(W) × 65(H) × 160(D)mm (including protrusions), WEIGHT: 2.43lb (1.1kg), OPERATING TEMPERATURE: 5 to 35°C

The Tascam US-2×2 is bus-powered via its USB connector, and the interface is compatible with both Macs and PCs. Starting with this tinier interface, what stands out right away is that Tascam’s smallest model is reassuringly sturdy in comparison to the lightweight design and feel of certain rival interfaces. These are the best audio interface for high-resolution sound.

Texture

Aluminum end-cheeks that cleverly elevate the front panel off your desk so that it is simpler to access its controls serve as a further testament to this excellence.

A small selection of key connectors can be found at the back: a 1/4-inch balanced stereo output pair (admittedly oddly labeled 1 and 2 rather than left and right), MIDI In and Out connectors, and the crucial USB connector.

Impressive Performance

With a signal-to-noise ratio of 101dB, Tascam’s mic pres are built for low noise, outperforming nearly all other interfaces in this price range, according to Tascam.

The recording of both the instruments and the vocals produced a warm, clean tone, which undoubtedly speaks to the performance here. The only obvious drawback is that there are only two input channels available, so if your needs are more extensive but you enjoy the sound of the 2×2, you might choose the bigger brother.

Finding an audio interface for Linux that has all of its functionality available as physical knobs and switches is crucial. You can avoid using Windows drivers in this manner. This one is appropriate. Performers can adjust the headphone and monitor mix (rear outputs) to their preferences using the physical gain knobs and even the monitor balancing knob.

Pros

• The texture and display are 8intreseting.
• The contrast of red I beautiful
• The connection with Mac is also very efficient.

Cons 

• The Phantom Power is not very good.

Our Verdict for Tascam US-2x2HR
Tascam US-2x2HR is the best audio interface for high-resolution sound. These are the best studio-working audio interface that can give you the best studio-quality results. You can get these without any doubt if you want the best audio interface under 200.

Mackie Audio Interface–Best Powered Audio Interface for recording

FORM FACTOR: Tabletop,

CHANNELS OF I/O:
ANALOG: 2 Input / 2 Output at 192 kHz, MAXIMUM SAMPLING RATE: 192 kHz / 24-Bit, NUMBER OF MICROPHONE PREAMPS: 1 Preamp, CONNECTIVITY

ANALOG AUDIO I/O: 1 x XLR 3-Pin Balanced Mic Input, 1 x 1/4″ TRS Balanced/Unbalanced Line/Hi-Z Input, 1 x 1/4″ TRS Unbalanced Headphone Output, 2 x 1/4″ TRS Balanced Monitor Output, PHANTOM POWER: 48 V, HOST CONNECTION: / USB 1 x USB Type-B (USB 2.0)

FREQUENCY RESPONSE: 20 Hz to 20 kHz ±0.5 dB (Min Gain), MAXIMUM INPUT LEVEL MIC INPUTS: +11 dBu (Min Gain), LINE/HI-Z INPUTS:, +24 dBu (Min Gain)

MAXIMUM OUTPUT LEVEL:
MONITOR OUTPUTS: +10 dBu, HEADPHONE OUTPUTS: +10 dBu, THD MIC INPUTS: < 0.001%, LINE/HI-Z INPUTS: < 0.005%, MONITOR OUTPUTS: < 0.001%, HEADPHONE OUTPUTS: < 0.002%, MIC/LINE/HI-Z INPUTS: < -100 dB, MONITOR OUTPUTS: < -85 dBu, HEADPHONE OUTPUTS: < -75 dBu,

DIGITAL AUDIO:
SAMPLE RATES: Up to 192 kHz, BIT DEPTHS: Up to 24-Bit, YNC SOURCES Internal

The Artist 1.2 and Producer 2.2 are the newest models from Mackie, and they are simpler and less expensive. Even yet, they are more than competent in bringing in and sending out clear signals to your DAW thanks to their high-quality Onyx mic pres, balanced analog interface, and operation up to 24bit 192kHz.

Built Like a Tank

When it comes to the Onyx Artist 1-2’s design, there is nothing unusual in terms of aesthetics. With the exception of the stylish Mackie logo watermarked on the chassis, it resembles 90% of the other low-cost audio interfaces available.

When it comes to construction, all you need is Mackie’s patented “Built-Like-A-Tank” design moniker to know how durable it is. With a solid black metal chassis that gives it a rough appearance overall, it is undoubtedly built to resist some punishment. It is a small machine that is 6.4″ wide and 4.5″ deep, and it would fit discreetly in a home studio with no issues. This also implies that it’s an excellent tool for traveling.

Features

The 1-2 is powered by USB 2.0 and has quality Mackie circuitry with an Onyx mic preamp for outstanding fidelity. The 1/4″ TRS input has a Hi-Z switch for connecting instruments like electric and bass guitars, and the XLR and +48v phantom power switch make it simple to attach studio microphones. Both are conveniently located on the front of the device, along with separate gain controls, as is customary. The balanced TRS monitor outputs are located around the rear, and the headphone jack is also located there.

Full Potential

Even though it comes with a copy of Tracktion T7, the Onyx Artist 1-2 is compatible with both Mac and PC and all DAWs. This is advantageous because you’ll want to make the most of it.

The greatest UI you could likely find for the money. The Onyx pre-amp has fantastic sound quality, is quite sturdy, and has an excellent interface!

I did occasionally have problems with mine not coming on when the computer turns on, but the problem was resolved by using a new connection and different USB ports.

Pros

• The high-resolution results.
• Build quality is awesome
• MIDI output and input.

Cons

• Monitor and headphone output are both impacted by zero latency control.

Our Verdict for Mackie Audio Interface
It is a 2-channel audio and MIDI interface that prioritizes audio fidelity and build quality and is typically durable and cheap. It is the best-powered audio interface for recording.

Audient EVO 4–Best USB Audio Interface

MIC GAIN RANGE: 58dB, LINE GAIN RANGE: 58dB (-10dB pad), PHANTOM POWER: 48v +/-4v @ 10mA/Channel, 1INPUT IMPEDANCE (MIC): >3kΩ Balanced, INPUT IMPEDANCE (LINE): >10kΩ Balanced FREQUENCY RESPONSE: +/-0.5dB 10Hz to 40kHz, 1/4” JACK:   TIP (Hot), RING (Cold) & SLEEVE (Shield)

ADC INPUTS:
DIGITAL REFERENCE LEVEL: 0dBFS = +8dBu, FREQUENCY RESPONSE: +/-0.5dB 10Hz to Fs/2, CROSSTALK: -105dBu @ 1kHz & 10kHz, THD+N @ -1DBFS (1KHZ): <0.001%, DYNAMIC RANGE: 113dB A-weighted

DAC OUTPUTS:
MAXIMUM OUTPUT LEVEL: +11dBu, DIGITAL REFERENCE LEVEL: 0dBFS = +11dBu, OUTPUT IMPEDANCE: <100Ω Balanced, FREQUENCY RESPONSE: +/-0.5dB 10Hz to Fs/2, CROSSTALK: <-110dBu @ 1kHz, THD+N @ -1DBFS (1KHZ):         <0.0015%, DYNAMIC RANGE: 113dB A-weighted, 1/4” JACK: TIP (Hot), RING (Cold) & SLEEVE (Shield)

HEADPHONE OUTPUT:
OUTPUT IMPEDANCE: <50Ω, FREQUENCY RESPONSE: +/-0.5dB 10Hz to Fs/2, DYNAMIC RANGE: 113dB A-weighted, 1/4” JACK: TIP (Left), RING (Right) & SLEEVE (Shield)

The EVO 4 from Audient almost missed reaching our list of the top cheap audio interfaces. The audio quality wasn’t subpar, though, and it has several incredible capabilities that other interfaces lack. So you should check out the EVO 4 if you’re looking for a contemporary, affordable audio interface for high-quality recording.

Description

The instrument input is located on the front of the gadget, where you may directly plug in your electric guitar or bass. A 1/4′′ headphone output that wraps around the entire front panel is located next to the instrument input.

Two balanced TRS monitor outputs and a USB-C port can be found on the back panel, respectively. There are two XLR/TRS combination inputs on the right side.

The multi-function step rotary encoder is the key feature at the top of the device. LEDs surround the encoder and show the audio volume or whatever the encoder is altering at the time.

What the center encoder controls is determined by the function buttons for each channel, direct monitor mix, and headphone volume.

Analog to Digital Conversion

The 24-bit bit depth used by the Audient EVO 4 for analog to digital conversion should result in a lot of headroom and a wide dynamic range.

Strong Preamps

The equivalent input noise of the two transparent Audient EVO 4 preamps is -128.5 dB (A-weighted). That’s a rather outstanding noise floor when compared to other audio interfaces in the same price range.

The EVO 4’s Smartgain function is its most novel feature. When you are recording vocals, the Smartgain tool will automatically determine the gain after listening to your vocals. Theoretically, this means that your signal should peak at about -12 dB and that you should never clip.

For such a compact package, Audient has crammed the EVO 4 with a lot of capability. The Blue Icicle, which costs half as much as the EVO 4, is the cheapest XLR to USB interface you’re likely to find that’s worthwhile purchasing. However, all it does is convert and amplify the analog signal to digital.

A second XLR input channel, a JFET instrument input, and a 1/4in TRS stereo out for speaker/headphone monitoring are also included with the EVO 4. The numbered buttons can also be long-pressed to mute the channels. With the smart gain tool, you may quickly dial up levels during your sound check without worrying about the danger of clipping.

Pros

• Smart gain feature
• Outstanding dynamic range.
• Excellent preamplifiers.
• Connecting channels.
• Fantastic metering

Cons

• Poor construction.
• Multipurpose encoder

Our Verdict for Audient EVO 4
Audient EVO 4 is the best USB audio interface. You can USB and can get the best audio sound quality. If there is this statement, should you buy this? There’s only one answer YES, why not? These are best under this list of the best audio interface under 200.

Focusrite Scarlett Solo 3rd Gen–Best Audio Interface for High-Quality Sound

CONNECTIVITY: USB Type-C, PROTOCOL: USB 2.0, FORM FACTOR: Desktop, SIMULTANEOUS I/O: 2 x 2m A/D RESOLUTION: 24-bit/192 kHz, NUMBER OF PREAMPS: 1, PHANTOM POWER: Included, INSTRUMENT INPUTS: 1, LINE INPUTS: 1, ANALOGUE OUTPUTS: 2 TRS (Balanced), HEADPHONE OUTPUTS: 1, BUS POWERED: Included

An audio interface for guitarists from a reputable company that sounds amazing and is very reasonably priced. There are not many better options in this price range for recording your guitar. These are the best audio interface for high-quality sound.

Controls

There is a TRS input and an XLR input on the front panel. The TRS-in contains a switch to adjust between the instrument and line level, and the XLR input has both 48 V phantom power and Focusrite’s recognizable Air mode. A lighted LED gain dial is included on each channel, and it becomes red as the signal peaks rather than staying green. Every switch uses the same LED illumination to show when it is being activated.

The master control dial, a quarter-inch headphone output, and a direct monitoring switch are all found on the right side of the front panel. Only a USB-C port and two balanced studio monitor outputs are present on the rear panel, which is straightforward.

Mobile recording

The Scarlett is more than suitable for recording on the fly, despite its connectivity limitations, for those who require a portable device. All you require is a USB-C and a DAW.

Pros

• Transparent stereo recordings for quarter-inch inputs and XLR microphones
• Low-latency observation
• Simple to assemble and use

Cons

• Gain levels for dual inputs cannot be perfectly matched
• Cables can be used to easily pull a lightweight body.

Our Verdict for Focusrite Scarlett Solo 3rd Gen
The Focusrite Scarlett Solo 3rd Gen is a stereo Input that can mix and podcast the music at its best. It is known as the best audio interface for high-quality sound.

PreSonus AudioBox–Best Audio Interface for DAW Recording Software

TYPE: XLR Female Balanced, FREQUENCY RESPONSE: (±3.0 dB) 20 Hz to 20 kHz, INPUT IMPEDANCE (BALANCED): 1200Ω, PHANTOM POWER: (±2 VDC) +48 VDC, DIMENSIONS: 1/3U (steel chassis), HEIGHT: 5.5” (139.7 mm), DEPTH: 1.75″ (44.45 mm), WIDTH: 5.5” (139.7 mm), WEIGHT: 5 lbs (2.27 kg)

PreSonus AudioBox is the best audio interface for DAW recording software. it is a small box which is a small size like some books and can easily give the best audio signals input and outputs.

Phantom Power

The (48V) button is the first thing. Toggle Phantom Power with this. Or, if you’re using a condenser mic, you just turn it on or off. Your XLR microphone is probably going to be either a dynamic or a condenser. If the former, Phantom Power won’t need to be turned on in order for it to function.

Front Panel Description

A compact device, the AudioBox USB 96 measures 5.5″ x 1.75″ x 5.5″ and weighs 1.4 lbs. The device is constructed on a sturdy steel frame and features a really attractive blue front panel. It appears that Presonus drove a truck over this unit to test its durability, so it’s a tough little guy.

Back Panel Description

L and R 1/4″ jacks are included on the rear for connecting your studio monitors. The majority of podcasters choose to edit using their headphones instead of utilizing (or owning) these. Although many fiction podcasters swear by them as well, studio monitors are more common in the music and sound design industries.

Two channels on this Presonus can each hold 1/4″ “plugs for XLR cables or guitar leads (microphones). It gives those microphones that require phantom power. It uses USB to connect to your PC or Mac. I didn’t need anything else besides my Mac. It was acknowledged and used as the standard audio input and output. You have separate volume controls for headphones (1/4 turn) in terms of output “If you have studio monitors to connect, use the stereo output (jack) and input. The sound is excellent. It’s a straightforward piece of equipment, but it produces amazing sound.

Pros

• Small and lightweight
• Easy to operate and play.
• Very budget-friendly.

Cons

• Seems fake sometimes.

Our Verdict for Presonus AudiBox
AudioBox is the best audio interface for DAW recording software. It is so portable and traveling-friendly that you can travel anywhere with it. This is the most reliable and budget-friendly on the list of the best audio interface under 200. You can buy these if you want to spend your money on the right product at the right time.

Best Audio Interfaces Under 200-FAQ’s

Do I need an audio interface for my home studio?
Although you don’t strictly need one to record anything, you’ll need one to record high-quality, professional sound. This can contain voiceovers, instruments for recording, and other audio sources. Of course, both your computer and your cell phone have sound cards.

Does an audio interface improve the sound quality?
Yes, an audio interface can enhance sound quality greatly. Particularly in relation to recording. Due to the high sample rate and bit depth that audio interfaces enable, you can record your music at a considerably better resolution than is often possible.

Which audio interface can you get for less money?
The top affordable audio interfaces available in 2023 are as follows: Focusrite Scarlett 2i2 third-generation, Native Instruments Komplete Audio version 6, and Motu M2.

If you have an audio interface, do you still need a sound card?
As a result, you don’t need to purchase both an external soundcard and an audio interface. Most people these days use a USB connection to connect to a computer.

Is purchasing an expensive audio interface worthwhile?
Yes, expensive interfaces are superior to inexpensive ones. There are other factors in play, and it is not only that they “sound better.” They have better converters, which results in more realistic and detailed audio, better processing, and better mixing, among other things.

Does the sound quality suffer from a cheap audio interface?
Additionally, they are priced differently. So, if money were a concern, you could settle for a less expensive audio interface, which could work against your aim to improve audio quality. Your computer’s audio output could be harmed by a cheap audio interface.

Why is the audio interface such a high cost?
Audio interfaces are pricey because they are dependable, long-lasting recording tools that guarantee excellent sound quality. Even though you may record without them, they are essential for setups used for professional sound recording and are well worth the investment.

What surpasses a Focusrite in quality?
The PreSonus AudioBox i2 is a wonderful alternative if the Focusrite Scarlett 2i2 is not available or if you require a device with a built-in MIDI interface. Its preamps have the power to support condenser mics and it is as portable and functional on iOS, macOS, and Windows as the 2i2.

Do I need to purchase Focusrite Scarlett?
We think it offers the highest value for the money, especially considering the free software that is included. It is most likely the best-selling USB audio interface in the world because of this, according to Focusrite. It’s true that there are other audio interfaces with comparable prices that work just as well.

The quality of Focusrite interfaces?
You can’t go wrong with the 4i4 if you’re looking for something sturdy, long-lasting, and simple to use because Focusrite creates some of the greatest interfaces available for the money.

Best Audio Interfaces Under 200-Buyer’s Guide

Research is important before making any purchases, as you are already aware. Therefore, there are a few things to think about before beginning your study. This is crucial so that you may purchase with the least amount of fuss possible.

Keep in mind that your time is just as valuable as your money. You should therefore decide on a few items that will influence your research as well. Therefore, the following are the elements to take into account while choosing your best audio interface under 200:

Price

As we are considering the products under 200, so the main factor which should be in your mind is the appropriate price. Set the margin of price as 200. Because there are so many audio interfaces that are under 200. So, look for the product which has all the best features under 200.

Best brand

Look for the best- or well-known brand to invest your money in, you can find the product from the brand, you are familiar with. Best brands have sometimes costly products so, purchase the product which is suitable for you.

Premium factions of the products

Consider the product’s functionality because it is essential. Make sure the specifications fit your needs. Think about investing in the product that will endure the longest. Knowing the features and specifications of audio interfaces under 200 can help you decide whether to use one.

Look at the Audio Interface

If you’re a simple consumer with basic requirements, you might just want the ugliest UI! After all, all of our suggestions are excellent alternatives, so selecting one based just on appearance is entirely acceptable.

Size is obviously significant as well, but we’ve discovered that the majority of audio interfaces in this price range are about the same size. The width won’t start to rise until you obtain one with four or more inputs.

Quality Preamps

If your interface doesn’t have enough pre-amps, some microphones might not work as well as they should. To learn what your microphone or other equipment needs, you’ll need to do some individual study on it. We took care to categorize the pre-amp types and compatible devices for each of the interfaces we studied.

Good Software

If you are buying the interface, also check the software version of that according to your need, so that there will be no misunderstanding afterward.

Capability

You’ll need to spend money on an audio interface with MIDI I/O ports if you use keyboards or other midi controllers. Please take note that every interface on this list only has one or two MIDI ports. You’ll need to either pay more money or purchase a dedicated midi interface if you want more.

Best Audio Interfaces Under 200-Conclusion

If you want to produce voices and music with studio-caliber vocals, audio interfaces are a necessity. Additionally, with this gadget, live performances hit differently. They can be used in a variety of ways by gamers, musicians, engineers, content producers, podcasters, and artists.

We have reviewed and gathered all of the best audio interfaces under 200 but the choice is yours that what product you want to use.

Recommendations

• High Budget: MOTU M2 – Best Audio Interface with DAC Technology
• Medium Budget: iRig Pro I/O – Best Audio Interface for Recording and Guitar
• Budget Friendly:  Audient EVO 4 – Best USB Audio Interface
• Low Budget: PreSonus AudioBox – Best Audio Interface for DAW Recording Software

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